10-band Equalizer

10-band Equalizer operator properties for Script Engine. Shapes the tonal balance of an audio stream by boosting or cutting ten fixed frequency bands — 30 Hz, 50 Hz, 90 Hz, 160 Hz, 300 Hz, 600 Hz, 1.2 kHz, 2.4 kHz, 5 kHz, and 10 kHz — plus an overall input-gain control. Each band can be raised or lowered independently to brighten, warm up, de-rumble, or otherwise correct the sound. Includes a clip indicator that flags signal overload and a one-click reset.

Property	Type	Access	Description
`InputGain`	`float`	`get/set`	Master input level applied before the band gains, in decibels. [min=-36, max=36, default=0]. 0 leaves the level unchanged. Negative values reduce the input level; positive values boost it (watch out for `SignalOverLoad`). Useful for matching the equalizer's input to the rest of the audio chain before shaping the tone.
`Band0Gain`	`int`	`get/set`	Gain at 30 Hz, in decibels. [min=-36, max=36, default=0]. Sub-bass region. 0 leaves the band unchanged; positive values boost it, negative values cut it.
`Band1Gain`	`int`	`get/set`	Gain at 50 Hz, in decibels. [min=-36, max=36, default=0]. Deep-bass region — kick drum fundamentals, bass-guitar low notes, room rumble.
`Band2Gain`	`int`	`get/set`	Gain at 90 Hz, in decibels. [min=-36, max=36, default=0]. Bass region — body of bass instruments and male voices.
`Band3Gain`	`int`	`get/set`	Gain at 160 Hz, in decibels. [min=-36, max=36, default=0]. Upper-bass region — fullness of vocals and instruments. Cutting here can reduce "boomy" sound; boosting adds warmth.
`Band4Gain`	`int`	`get/set`	Gain at 300 Hz, in decibels. [min=-36, max=36, default=0]. Low-mid region — body of vocals. Excessive boost can sound "muddy"; cutting can clean up a crowded mix.
`Band5Gain`	`int`	`get/set`	Gain at 600 Hz, in decibels. [min=-36, max=36, default=0]. Lower midrange — important for the natural sound of instruments and voices.
`Band6Gain`	`int`	`get/set`	Gain at 1.2 kHz, in decibels. [min=-36, max=36, default=0]. Mid region — speech intelligibility and instrument presence sit here.
`Band7Gain`	`int`	`get/set`	Gain at 2.4 kHz, in decibels. [min=-36, max=36, default=0]. Upper midrange — clarity, attack, and definition. Boosting can make voices stand out; over-boosting can sound harsh.
`Band8Gain`	`int`	`get/set`	Gain at 5.0 kHz, in decibels. [min=-36, max=36, default=0]. Presence region — sibilance, cymbal definition, and the bite of consonants.
`Band9Gain`	`int`	`get/set`	Gain at 10.0 kHz, in decibels. [min=-36, max=36, default=0]. High treble — air, sparkle, and overall brightness. Boosting opens up the top end; cutting tames harshness or hiss.
`SignalOverLoad`	`bool`	`get`	True when the equalizer's output signal has clipped (read-only). Lights up when the combined boost from input gain and band gains pushes the signal above full scale. Auto-resets after 2 seconds. Reduce `InputGain` or trim the boosted bands if this trips.
`PeakValueDbString`	`string`	`get`	Highest level reached during the most recent overload, in decibels (read-only). Updated whenever `SignalOverLoad` trips, and auto-resets after 2 seconds. Useful for gauging how much headroom you've lost.
`ResetCommand`	`Command`	`get`	Reset all gains (input and bands) to 0 dB. Useful from a script that wants a known starting state before applying a new EQ setting, or as a one-shot recovery after experimentation.
`SamplesRendered`	`int`	`get/set`	Total number of audio samples processed by the equalizer (read-only, debug).

Inherits from: AbstractAudioOperator, AbstractOperator, AbstractAudioMetering.

See also: 10-band Equalizer in Operators — user-facing introduction, screenshots, and section summaries.